Monday, July 27, 2009

Menuhin plays Beethoven, Gould plays Bach: playlist for The Open Window for July 27, 2009


The Open Window airs at 6:30 am Mondays and 10:00 am Sundays at www.cjly.net, Kootenay Co-op Radio in Nelson, B.C.





Beethoven: Violin Concerto in D, Yehudi Menuhin, violin, with the Royal Philharmonic Orchestra directed by Wilhelm Furtwangler (Seraphim)








Bach: Invention # 2 and 5, Glenn Gould, piano, from Bach: The Two and Three Part Inventions (Columbia)







Tuesday, July 21, 2009

Abigail Washburn, Curtis Counce, Oistrach: Playlist for The Open Window for July 20 and 26, 2009



The Open Window airs at 6:30 am Mondays and 10 am Sundays at www.cjly.net (Kootenay Cooperative Radio) in Nelson, B.C.

Abigail Washburn and the Sparrow Quartet: Great Big Wall, Overture, Fuller Wine, The Journay, Oh Me Oh My from The Sparrow Quartet (Nettwerk)

Abigail Washburn banjo and guitar; Bela Fleck, banjo; Casey Dries
sen, fiddle; Ben Sollee, cello. This music is a mix of Appalachian and Chinese influences because Abigail Washburn had lived in China and could speak some Chinese before she started her career as a bluegrass musician. She's a beautiful singer, and, if you care to go to her website you will find her to be a charming and intelligent talker about music. Also on the net you will find a couple of fascinating videos of the group travelling in China and jamming with Chinese musicians. This band's music is lovely and original.

Bach: Concerto for Two Violins; Igor and David Oistrach with the London Philharmonic directed by Eugene Goosens, from Bach Violin Concertos (Deutsche Grammophon)

For a touch of the sublime, the slow movement of this one can't be beat.






Curtis Counce: Sarah, from Landslide (Contemporary)

This is plain-spoken, unadorned, simple-but-sophisticated, honest, late-night west coast blues from 1957. The bassist Curtis Counce was the leader, with Jack Sheldon (trumpet), Harold Land (tenor saxophone), Frank Butler (drums) and the sweet piano of Carl Perkins (no, not that one).


Wednesday, July 8, 2009

Abdullah Ibrahim, Jon Hassell, Stephen Fearing, Bach: Playlist for The Open Window for July 6, 2009

The Open Window airs at www.cjly.net (Kootenay Cooperative Radio in Nelson, B.C.) on Sundays at 10am and Mondays at 6:30am.

Abdullah Ibrahim: Water From An Ancient Well, Soweto, The Mountain, The Wedding, and The Blessing from Capetown Revisited (Enja)

Abdullah Ibrahim: The Mountain and The Blessing from Water From An Ancient Well (Enja)

The first of these recordings by the venerable South African pianist and bandleader is mostly a trio date, live, with the occasional appearance by trumpeter Faya Faku, recorded in 2000. The second is a studio recording from 1987 with a sextet. The Mountain and The Wedding are great examples of Abdullah's stately intermingling of South African folk forms and Duke Ellington-like jazz.

But his jazz was not always Duke Ellington: check out some of his CD's from t
he 1970s and 80s and you will find collaborations with avant-garde types like trumpeter Donald Cherry. Abdullah has covered a lot of ground and styles in the last few decades, always with a soulful beauty and integrity that is all his own and which I have always loved. He played at Nelson Mandela's presidential inauguration ceremony.


Jon Hassell: Last Night the Moon Came Dropping Its Clothes in the Street from Last Night the Moon Came Dropping Its Clothes in the Street (ECM)

From Jon Hassell's website:
"A childhood in
Memphis, a classical conservatory education, composition and electronic music study with Stockhausen in Cologne; a passage through the New York minimalist sphere with Terry Riley, Reich, Glass; having a window opened onto the world's music and a new approach to the trumpet via vocal master Pandit Pran Nath; a questioning and deconstruction of the European dichotomy between classical and popular, sacred and sensual; a pioneer of digital transformation and sampling—all of this led to Fourth World—the unique blend described as "worldly music" to underline a more subtle equation at work and discourage the simplistic labeling of "world," "jazz," "classical," "minimal," or "ambient.""

Bach: Partita for Solo Flute in A Minor; Jean-Pierre Rampal, flute, from Johann Sebastian Bach Sonatas and Partitas for Flute

"For me, the flute is really the sound of humanity, the sound of man flowing, completely free from his body almost without an intermediary. . . . Playing the flute is not as direct as singing, but it's nearly the same."-- Jean-Pierre Rampal


Stephen Fearing: Goodnight Moon from Yellowjacket (Northern Blues)

Stephen Fearing is coming to the Keep the Beat event at Lakeside Park in Nelson this summer, much to the delight of my daughters Rosie and Laura who are among the organizers of the event and also his nieces (he's their Mom's brother).
He can sing in a very high range
and this lovely song is proof of that.


Saturday, July 4, 2009

Catherine Potter, Hilliard Ensemble and Garbarek, Zakir Hussain, Mitsuko Uchida: Playlist for The Open Window for June 29, 2009



The Open Window airs at www.cjly.net (Kootenay Co-op Radio) on Sundays at 10 am and Mondays at 6:30 am.

Catherine Potter: Gori, Kutila and Vol Blanc from Duniya Project

Catherine Potter is a Canadian player of the bansuri, or Indian bamboo flute. She has studied under Hariprasad Chaurasia, who is perhaps the most celebrated Indian player of that instrument. This music is somewhere between jazz and Indian classical bansuri music, and is true enough to both to probably please non-purist fans of either (like me). Subir Debv, tabla; Lubo Alexandrov, guitars; Nicolas Caloia, bass; Thom Gossage, drums; Anjana Srinivasan, violin.

Hilliard Ensemble and Jan Garbarek: O Salutaris Hosta, Procedenem Sponsem, and Pulcherrima Rosa from Officium (ECM)

Released in 1994, this gets my vote for one of the most innovative recordings ever. Take a British quartet of singers of early music, combine them with an improvising jazz saxophonist, record them in Austria's Monastery of St. Gerold known for its otherwordly acoustics, ask them to perform music from the 12th to the 16th century much of it so old the author is listed as anonymous, and you get this stunning work of art.

But it is not just any jazz saxophonist. Jan Garbarek of Norway has built a career out of daring collaborations all over the world.


Zakir Hussain: Making Music from Making Music (ECM)

On this piece, Hariprasad Chaurasia on bansuri (see Catherine Potter above) and Jan Garbarek play together, along with Zakir Hussain on tablas and John McLaughlin on guitar. Hussain and McLaughlin were central to the celebrated Indian-jazz crossover group Shakti 25 or more years ago: these guys have been crossing west-east borders for a long time now, wonderfully. Garbarek's soprano saxophone fits the music perfectly, but the tenor does not, in my opinion, because it is recorded too loudly and played too bluntly. The Indian flute of Chaurasia is sublime.

Mozart: Fantasy in D Minor; Mitsuko Uchida-- Mozart: Two Sonatas (Philips)

A celebrated performer of Mozart with a short piece as lovely as the sunny summer early morning on which I played it....

Sunday, June 28, 2009

Bartok, Toumani Diabate, Amir Koushkani, Sal Ferreras, Francois Houle: Playlist for The Open Window for June 22, 2009

The Open Window airs at www.cjly.net (Kootenay Co-op Radio) Sundays at 10 am and Mondays at 6:30 am

Safa: Chahar Mezrab from Alight (Songlines)

This 2002 recording is the only one ever made by this wonderful group consisting of Amir Koushkani, the Iranian-Canadian player of the stringed instruments the tar and the setar, Vancouver percussionist Sal Ferreras and Vancouver classical/jazz/other clarinetist Francois Houle.

I played this for the people of Iran.

Francois Houle is a brilliant musician who has made a career of bringing classical training and sound to free jazz and to world music. It is really a revelation to hear classical clarinet tone quality applied to other kinds of music-- in this CD it lifts everything to a new realm of openness and clarity. Combine that with the performance of Amir Koushkani which "exudes a passionate air that reaches deeply into our souls. His voice speaks a musical language of longing, ecstasy and joy." (Sal Ferreras from the CD notes.)

And Sal Ferreras is world music percussion itself.

Bartok: Concerto for Orchestra; Seiji Ozawa and the Chicago Symphony from Bartok Concerto for Orchestra and Kodaly Dances of Galanta (Angel)

No photo of the album because it is so entirely out of print. This is one of the most colorful and dramatic orchestral pieces anywhere: interesting combinations of instruments combined with harmonies and melodies from the folk life of Bartok's native Hungary create one of Bartok's most "accessible" works. It was written in the U.S. in 1943 shortly before Bartok's death.

Toumani Diabate: El Nabiyouna and Canatelowes from The Mande Variations (Nonesuch)

More sophisticated harp from the desert. See previous post.







Wednesday, June 24, 2009

Vivaldi, Toumani Diabate, Rachmaninoff: Playlist for The Open Window for June 15, 2009

The Open Window airs at www.cjly.net (Kootenay Co-op Radio) Sundays at 10 am and Mondays at 6:30 am

Toumani Diabate: Elyne Road, Ali Farka Toure, Ismael Drame, Cantalowes, from The Mande Variations (Nonesuch)

Toumani Diabate has picked up influences from the music of other countries without making his music sound more like pop or electronica or a world music mashup. It's purely a solo kora CD, and lovely. It's new.

"The Mande Variations breaks new ground for the kora in many ways, establishing this West African harp as one of the world's great solo instruments. It reflects Toumani's extraordinary personal and musical journey over the past two decades, taking on ideas and approaches from styles as diverse as western pop, Indian classical, flamenco, and blues, but all ultimately remaining firmly rooted in the Malian griot music that is his heritage." -- from the CD notes

Antonio
Vivaldi, Summer, from the Four Seasons; the English Chamber Orchestra, Nigel Kennedy conductor and solo violinist (EMI)

Well, it's almost summer. Vivaldi's summer has both calm and st
orms.






Sergei Rachmaninoff: Andante from Sonata for Violoncello Op.19, Serenade in B-flat minor Op.3-5, and Romance in F minor O
p.10-6; Arkady Volodos, piano, from Rachmaninoff Piano Concerto #3 and Solo Piano Works (Sony)

Some nice short solo piano pieces, skirting around the entirely other planet of the Concerto #3 which is also on this CD-- some other time.

Tuesday, June 2, 2009

Erik Friedlander, Marjan Mozetich, Grandpa Elliott, Playing for Change: Playlist for The Open Window, June 1, 2009

The Open Window Airs at 6:30 am Mondays and 10am Sundays at www.cjly.net (Kootenay Cooperative Radio)

Erik Friedlander: King Rig, Dream Song, Airstream Envy, Rushmore, and Valley of Fire from Block Ice and Propane: Compositions and Improvisations for Solo Cello (Skipstone)

I have played this CD a few times on my music shows and it always elicits someone calling and saying "Who was that?" Cellist Erik Friedlander has played with John Zorn, Laurie Anderson and Courtney Love and he has also recorded 9 CDs as a leader. He's best known as an avant-garde jazz etc. player, but this one is a stunning solo synthesis of various kinds of American roots music, whatever that means, played with friendly virtuosity on bowed and plucked cello plus a bit of electronics occasionally. Just a few notes in to the CD you'll know that this is the real thing and you will have to buy it.

Marjan Mozetich: Affairs of the Heart: Concerto for Violin and Strings Orchestra per
formed by Juliette Kang, violin, with Mario Bernardi and the CBC Vancouver Orchestra from Affairs of the Heart (CBC)

Bob Olsen, who
knows a lot more about classical music than I, hosts Classical Corner on Kootenay Co-op Radio and he loaned me this CD after I heard it on his show. Marjan Mozetich is a Canadian composer who started out as a committed creator and teacher of very avant-garde music. He then underwent a serious about-face in the 1970s, when he started writing music that is part post-modernism (Glass, Reich, Reilly) and part 19th-century Romanticism. It's a fascinating combination. He made this change, he is quoted in the CD notes as saying, because "that world had become sterile: composers were supposed to create a hypothesis and then realize it musically, like a research paper. I thought it was ridiculous."


Playing for Change: Stand by Me, from Songs Around the World (Hear Music)

Head for the internet and look up Playing for Change and watch
a great series of music videos performed by dozens of people from around the world, playing their own parts in their own country, mostly outdoors, then edited and united by technology and the impulse to unite us all. Stand by Me is opened by two amazing street singers, Roger Ridley and Grandpa Elliott, but we also see/hear musicians and singers from Holland, South Africa, Congo, Spain, Russia, France, Venezuela, and Italy.