Year-End Review: Brahem, Glass, Diabate, Hassell, Sutter, Part

The Open Window airs at www.cjly.net (Kootenay Co-op Radio in Nelson, B.C.) at 6:30 am Mondays at 3pm Thursdays sponsored by Sidewinders Coffee

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In this year-end show I revisited several new CDs I have featured over the past few months. All of these are discussed in recent posts.

Anouar Brahem: The Astounding Eyes of Rita
Arvo Part: In Principio
Toumani Diabate: The Mande Variations
Jon Hassell: Last Night the Moon Came Dropping its Clothes in the Street
Wendy Sutter: Songs and Poems for Solo Cello by Philip Glass
Valentin Silvestrov: Misterioso

Anouar Brahem, The Gryphon Trio, and Lou Harrison: Playlist for The Open Window for December 14 and 17, 2009

The Open Window airs at 6:30 am Mondays and 10 am Thursdays at www.cjly.net (Kootenay Cooperative Radio in Nelson, B.C.), sponsored by Sidewinders Coffee.

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Lou Harrison: Bell Bowls from La Koro Sutro (New Albion)

Lou Harrison was a 20th century American composer with a passion for the gamelan music of Java and Bali, and he incorporated many of those sounds and textures into his music. I opened the show with this percussion piece played by William Wynant.




Anouar Brahem: The Lover of Beirut, Dance with Waves, Stopover at Djibouti, and The Astounding Eyes of Rita, from The Astounding Eyes of Rita (ECM )

Anouar Brahem is a celebrated player of Arabic classical music in his home country of Tunisia, and a tireless experimenter and collaborator to the point where it is often hard to say where North Africa leaves off and Europe begins in this spare, dignified, detailed music. For the past few decades he has divided his time between Tunisia and France and played, composed, taught... and worked with all manner of musicians as well as poets and dancers.

Think about the instruments in this quartet: oud, bass clarinet, bass, bendir and darbouka (those are North African hand drums). The result is elegant, exotic, low-toned, and full of feeling for deserts and cities.

The album is titled after a poem by Mahmoud Darwish, a revered poet of Palestine who died last year (photo to the right, just below). Here is the poem:

Between Rita and my eyes
There is a rifle
And whoever knows Rita
Kneels and plays
To the divinity in those honey-colored eyes

And I kissed Rita
When she was young
And I remember how she approached
And how my arm covered the loveliest of braids
And I remember Rita
The way a sparrow remembers its stream
Ah, Rita
Between us there are a million sparrows and images
And many rendevous
Fired at by a rifle

Rita's name was a feast in my mouth
Rita's body was a wedding in my blood
And I was lost in Rita for two years
And for two years she slept on my arm
And we made promises
Over the most beautiful of cups
And we burned in the wine of our lips
And we were born again

Ah, Rita!
What before this rifle could have turned my eyes from yours
Except a nap or two or honey-colored clouds?
Once upon a time
Oh, the silence of dusk
In the morning my moon migrated to a far place
Towards those honey-colored eyes
And the city swept away all the singers
And Rita

Between Rita and my eyes
A rifle

Mozart: Trio in G movements 1 and 2 (performed by the Gryphon 
Trio) from Mozart Trios (Analekta)

Toronto's Gryphon Trio is Annalee Patipatanakoon (violin), Roman Borys (cello), and Jamie Parker (piano).

Glen Velez, Paul Winter, Arvo Part, Mozart: Playlist for The Open Window for December 7, 2009

The Open Window airs Monday mornings at 6:30 and Thursdays at 10 am at www.cjly.net (Kootenay Cooperative Radio in Nelson, B.C.) sponsored by Sidewinders Coffee.

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Glen Velez: Webs from Rhythms of the Chakras (Sounds True)

Glen Velez is a Mexican-American percussionist who specializes in frame drums. On this album he plays the bodhran and the North African bendir, adding small percussion and the occasional voice and strings. I saw him live once and he related to the audience so beautifully-- he educated and inspired us. This CD has seven pieces, each corresponding with each chakra or centre of energy in the body. Glen Velez is one of the percussionists on the CD by Paul Winter, below.

Paul Winter: various tracks from Prayer for the Wild Things (Living Music)
I usually would not play Paul Winter on my show because he is too new age/ smooth jazz for me, but this CD is an exception. It features a 12-piece band (with interesting wind instruments like the heckelphone and contra-bass clarinet) along with the recorded sounds of 24 birds and animals from the Rocky Mountains. Also, Arlie Nesahi and the White Eagle Singers are on a couple of tracks.

Many of the songs are dedicated to, and evoke, specific animals. Grizzly Bear Cubs features the cello of Eugene Friesen, and Moose Walk is soloed by the contra-bass clarinet of Dennis Smylie.

There are bird sounds-- song birds and large migratory birds-- throughout the CD, within the music, and it does evoke the mountains for me, makes the air feel fresher.

Arvo Part: Spiegel Im Spiegel (Alexei Lubimov, piano and Kyrill Rybakov, clarinet) from Misterioso (ECM)

To continue with this CD introduced last week (see previous post), a duet piece for clarinet and piano-- stately, meditative, and perfect.


Mitsuko Uchida: Fantasia in D Minor from Mozart Sonatas (Philips)

This is one of my favourite records from the vinyl collection at the station. The longer sonatas are beautiful but this small piece fits in anywhere and enobles the whole show.

Silvestrov, Mingus, Autorickshaw: Playlist for The Open Window for November 30, 2009

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The Open Window airs at 6:30 am Mondays and 10:00 am Thursdays at www.cjly.net (Kootenay Cooperative Radio in Nelson, B.C.) sponsored by Sidewinders Coffee in Nelson.


Valentin Silvestrov: Post Scriptum (Alexei Lubimov, piano and Alexander Trostiansky, violin) from Misterioso (ECM)

This fascinating CD features the music of several composers from the former Soviet Union countries including the Ukrainian pianist and composer Valentin Silvestrov. He is one the many artists who suffered at the hands of the Soviet government. When he came under fire for his modernist style, he chose to withdraw from public performance of his work rather than change. He wrote a piece called Silent Songs, intended to be played in private. But that is not what we heard on this show. This piece, Post Scriptum, Silvestrov has referred to as "a postscript to Mozart, and in a broader sense, to the classical period."


Charles Mingus: Goodbye Pork Pie Hat, Stop Boogie Shuffle, Jelly Roll, Self-Portrait in Three Colours, Pussy-Cat Dues from Mingus Ah Um (Columbia)
Mingus, who died in 1979, was a big, mysterious, cantankerous task-master who was not interested in what other people, including his audiences, thought of him. When I was in the high school band at North Kamloops Secondary in the 1960's, there was a very good trumpet player named Dennis Mulligan. One day he brought this album to school and played it. It was exotically modern and mysterious. He loved it, the teacher hated it, and I was very intrigued. It may have been the first real jazz record I had ever heard. Recorded in 1959, Mingus Ah Um is considered one of Mingus' finest records, and it is also one of his most relatively sedate. In some ways it is a tribute to Ellington and other forbears. It has incredible musicians on it like Booker Ervin and Jimmy Knepper.


Autorickshaw: Purvi Tillana, Tigra Tani, and Ganamurthy from Four Higher (Tala-Wallah)

I also played this great band on October 26-- check out that post.