Showing posts with label Ravi Shankar. Show all posts
Showing posts with label Ravi Shankar. Show all posts

Monday, September 14, 2009

Arve Hendriksen, Mitsuko Uchida, Ravi Shankar & Philip Glass, Leonard Cohen, Herbie Hancock: playlist for The Open Window September 14, 2009

The Open Window airs at 6:30 am Mondays and 10:00 am Thursdays at www.cjly.net.

You can download a podcast of this show here: http://cjlypodcast.net/openwindow/openwindow_sept14_2009.mp3

Arve Henriksen: From Birth and Before and Afterlife from Cartography (ECM)

This group consists of Arve Hendriksen's trumpet and a bunch of programmers and samplers plus the odd guitar or bass or drum kit. The trumpet often does not sound like a trumpet-- mostly it moves imperceptibly back and forth between the sounds of trumpet and Japanese flute. These pieces are moody shape-shifting tableaux led by a trumpet, reminiscent of but neither as funky as nor as transcendent (sorry) as Jon Hassell's music which I have played recently here.

Mozart, Sonata in A, Mitsuko Uchida, piano, from Mozart Sonatas (Philips)

A girl is born in Japan in 1948. She is fascinated by European classical music and especially Mozart, and she starts piano lessons. Her father is appointed Japanese ambassador to Austria, so the family moves to Vienna which just happens to be the place Mozart composed many of his masterworks. She studies, and performs her first concert at age 14. The family moves back to Japan after five years but she stays. Since then Mitsuko Uchida has become known as the "high priestess of Mozart." I felt honoured to bring this music to you.

Philip Glass and Ravi Shankar: Offering from Passages (Private Music)
This is a piece of orchestral music based on a Ravi Shankar raga, with no sitar in sight, from one of the most successful collaborations between unlikely musicians that I have ever heard.

Herbie Hancock and Leonard Cohen: The Jungle Line from River: The Joni Letters (Verve)

This Joni Mitchell song was on her album The Hissing of Summer Lawns from the 1970s.

So: Joni Mitchell, lyrics; Leonard Cohen, vocals; Herbie Hancock, piano. What a team!



Tuesday, May 5, 2009

Shankar & Ali Akbar Khan, Szeryng Plays Bach: Playlist for The Open Window, May 4, 2009

The Open Window airs at www.cjly.net Mondays at 6:30 am and Sundays at 10 am.

Ravi Shankar and Ali Akbar Khan: Hem Bihag, from In Concert 1972 (Apple)

Henryk Szeryng:
Partita #2 in D Minor, from Bach: The Unaccompanied Sonatas and Partitas

Wednesday, March 4, 2009

Shankar, Glass, Haydn: Playlist for Beethoven's Breakfast March 2, 2009

www.cjly.net Mondays at 6:30 am PST

Ravi Shankar and Philip Glass: Prashanti, Sadhanipa and Ragas in Minor Scale from Passages (Private Music Inc.)

I played this excellent collaboration again because I couldn't help it-- see previous post.

Hans-Martin Linde and Collegeum Aureum: Flute Concerto in D Major from Franz Joseph Haydn, Flute and Horn Concertos

This is not available anywhere as far as I can tell-- one more perfect-condition vinyl LP from the donated collection of classical albums at Kootenay Cooperative Radio.

Wednesday, February 25, 2009

Shankar, Glass, Gould: Playlist for Beethoven's Breakfast for February 23, 2009

www.cjly.net Mondays at 6:30 am

Ravi Shankar and Philip Glass: Prashanti and Offering from Passages (Private Music Inc.)

What a discovery! They made this CD in 1990, and I just found out about it. It's a true collaboration: some tracks are based on a Glass theme with a Shankar arrangement built around it, and some are the other way around. There are two ensembles, one led by Shankar and one by Glass. Sometimes they play separately and sometimes together. On Offering, for example, the melody is from a Shankar raga but it's played by a saxophone and there is not an Indian instrument in sight.

The notes quote Shankar remembering Paris in 1965 when the very young Glass was a student doing transcription work for a film score that Shankar was recording. Ravi recalls: From the very first moment I saw such interest from him-- he was a young man then-- and he started asking me questions about ragas and talas and started writing down the whole score....and seeing how interested he was I told him everything I could in that short time."

And Glass wrote, "It was possible to graduate from a major Western conservatory...without exposure to music from outside the Western tradition. World music was completely unknown in the mid-60's."

Glenn Gould: Partita No. 4 from Bach: Partitas No. 4, 5, and 6 (Sony)

The notes quote a writer from Bach's time exclaiming that any young pianist could easily make a name for himself by playing this new music by Bach. And some did just that, including, more than 200 years later in the 1950's and 60's, Glenn Gould, Canada's greatest musician.