Showing posts with label Zakir Hussain. Show all posts
Showing posts with label Zakir Hussain. Show all posts

Saturday, July 4, 2009

Catherine Potter, Hilliard Ensemble and Garbarek, Zakir Hussain, Mitsuko Uchida: Playlist for The Open Window for June 29, 2009



The Open Window airs at www.cjly.net (Kootenay Co-op Radio) on Sundays at 10 am and Mondays at 6:30 am.

Catherine Potter: Gori, Kutila and Vol Blanc from Duniya Project

Catherine Potter is a Canadian player of the bansuri, or Indian bamboo flute. She has studied under Hariprasad Chaurasia, who is perhaps the most celebrated Indian player of that instrument. This music is somewhere between jazz and Indian classical bansuri music, and is true enough to both to probably please non-purist fans of either (like me). Subir Debv, tabla; Lubo Alexandrov, guitars; Nicolas Caloia, bass; Thom Gossage, drums; Anjana Srinivasan, violin.

Hilliard Ensemble and Jan Garbarek: O Salutaris Hosta, Procedenem Sponsem, and Pulcherrima Rosa from Officium (ECM)

Released in 1994, this gets my vote for one of the most innovative recordings ever. Take a British quartet of singers of early music, combine them with an improvising jazz saxophonist, record them in Austria's Monastery of St. Gerold known for its otherwordly acoustics, ask them to perform music from the 12th to the 16th century much of it so old the author is listed as anonymous, and you get this stunning work of art.

But it is not just any jazz saxophonist. Jan Garbarek of Norway has built a career out of daring collaborations all over the world.


Zakir Hussain: Making Music from Making Music (ECM)

On this piece, Hariprasad Chaurasia on bansuri (see Catherine Potter above) and Jan Garbarek play together, along with Zakir Hussain on tablas and John McLaughlin on guitar. Hussain and McLaughlin were central to the celebrated Indian-jazz crossover group Shakti 25 or more years ago: these guys have been crossing west-east borders for a long time now, wonderfully. Garbarek's soprano saxophone fits the music perfectly, but the tenor does not, in my opinion, because it is recorded too loudly and played too bluntly. The Indian flute of Chaurasia is sublime.

Mozart: Fantasy in D Minor; Mitsuko Uchida-- Mozart: Two Sonatas (Philips)

A celebrated performer of Mozart with a short piece as lovely as the sunny summer early morning on which I played it....

Monday, January 26, 2009

Gryphon, Shakti, Bayrakdarian: playlist for Beethoven's Breakfast January 19, 2008

www.kootenaycoopradio.com, Mondays at 6:30 am PST

1. Gryphon Trio: Trio in C Minor K. 548 from Mozart, the Complete Piano Trios (Analekta)

"The gryphon, a Greek mythological creature that was the guardian of treasure and symbolized the joining of cosmic energy and psychic force, reflects the group's interest in many genres of music" (from the liner notes). The Toronto-based Gryphon Trio plays contemporary and classical works. http://www.gryphontrio.com/

2. Remember Shakti: Bell' Aria from Saturday Night in Bombay (Verve)

Remember Shakti is a group of Indian musicians led by tabla player Zakir Hussain and British guitarist John McLaughlin. In the early 1970's they formed the acoustic group Shakti and pioneered a fusion of jazz and Indian classical music. John McLaughlin, in the years before that, was a member of the Miles Davis bands that made the shocking Bitches Brew and the sublime In a Silent Way. Shakti broke up in the 1980's. McLaughlin and Hussain have worked creatively together and apart ever since to acquaint western and Indian music with each other. In fact they are among the founders of what we call "world music."

The group Remember Shakti was formed in 1997 with some of the original players and some new ones including the respected elder Hariprasad Chaurasia on flute. Here is a video of a small version of the group: .http://ca.youtube.com/watch?v=qyCH70FODJA

3. Isabel Bayrakdarian : Spring, Mount Alakyaz, Striding Beaming, and Lullaby, from Gomidas Songs (Nonesuch)

Gomidas Vartabed (1869-1935) is known as the father of Armenian classical music. He was a survivor of the Armenian genocide of 1915, and in an attempt to save Armenian musical culture he took songs and dances of the Armenian peasantry and recreated them in a European classical format. The singer Isabel Bayrakdarian is an Armenian-Canadian who, in addition to being an up-and-coming opera star, holds a degree in biomedical engineering from the University of Toronto and was featured on the movie soundtrack for “The Lord of the Rings: The Two Towers” and Atom Egoyan's "Ararat." For a stunning cultural experience watch her perform one of the songs from this CD, accompanied by four players of the duduk (an Armenian woodwind instrument of ancient origins), outdoors in an ancient ruin in Armenia, at http://tinyurl.com/9q7s2w.