Kronos, Isabel Bayrakdarian, Allison Girvan, Luciana Souza, Bach, Glenn Gould: Playlist for The Open Window for August 3 and 9, 2009

The Open Window airs at www.cjly.net (Kootenay Co-op Radio) Mondays at 6:30 am and Thursdays at 10 am

Kronos Quartet: Wa Habibi, Raga Mishra Bhairavi Alap, Mugyam Beyati Shiraz, and Tew Semagn Hagere from Floodplain (Nonesuch)

This is music from cultures that reside on floodplains
in the Middle East, Africa, South America, and Eastern Europe. People living on floodplains are used to violent upheaval, and they are often melting pots, formed from many societies from all over. But we in the west tend to see them as homogeneous.

This music is centuries old and refreshingly new, much of it commissioned from contemporary composers.

There is music from Egypt, Lebanon, Azerbaijan and Iraq, among other places. Some was written for the Kronos Quartet by such contemporary artists as the Palestinian electronic / hip hop collective Ramallah Underground and the Serbian composer Aleksandra Vrebalov whose Hold me Neighbour In This Storm is worth the price of this CD which is full of beauty, integrity, and wonderful surprises.

It's fascinating to hear Kronos playing in so many styles; even more so to hear individual members playing as if from another culture: violist Hank Dutt becomes an Indian musician on Raga Mishra, and David Harrington an Azerbaijani on Tew Semagn Hagere.


Isabel Bayrakdarian: Lullaby, from Gomidas Songs (Nonesuch)

The Armenian composer Gomidas Vertabed (1869-1935) is known as the father of Armenian classical music. He took songs and dances of the Armenian peasantry and recreated them in European classical format. He did this because, as a survivor of the Armenian genocide, he thought this the best way to preserve Armenian musical heritage.

Isabel Bayrakdarian is an Armenian-Canadian opera singer. There is a wonderful video on You Tube of her singing this song accompanied by a quartet of Armenian players of the duduk (a Turkish-Armenian wind instrument) in an ancient Armenian ruin, here: http://tinyurl.com/9q7s2w.



Lusiana Souza: Sonnet 49, from Neruda (Sunnyside)

This Brazilian singer has elegantly put some of Neruda's poems to music. I urge you to watch her perform this song, self-accompanied on the kalimba.

Allison Girvan: Bright Morning Star from Resonance (Independent)

Allison Girvan is the cheerfully creative leader of the Corazon Vocal Ensemble in Nelson, B.C. and the bar-raising musical director for the Capitol Theatre summer youth productions as well as being a solo performer and one of Nelson's musical movers, shakers, mentors, and elders even though she's not that old. This song is purity itself.

Bach: Invention # 5, 14, 11, and 10, Glenn Gould, piano, from Bach: The Two and Three Part Inventions (Columbia)

Menuhin plays Beethoven, Gould plays Bach: playlist for The Open Window for July 27, 2009

The Open Window airs at 6:30 am Mondays and 10:00 am Sundays at www.cjly.net, Kootenay Co-op Radio in Nelson, B.C.




Beethoven: Violin Concerto in D, Yehudi Menuhin, violin, with the Royal Philharmonic Orchestra directed by Wilhelm Furtwangler (Seraphim)








Bach: Invention # 2 and 5, Glenn Gould, piano, from Bach: The Two and Three Part Inventions (Columbia)

Shankar, Glass, Gould: Playlist for Beethoven's Breakfast for February 23, 2009

www.cjly.net Mondays at 6:30 am

Ravi Shankar and Philip Glass: Prashanti and Offering from Passages (Private Music Inc.)

What a discovery! They made this CD in 1990, and I just found out about it. It's a true collaboration: some tracks are based on a Glass theme with a Shankar arrangement built around it, and some are the other way around. There are two ensembles, one led by Shankar and one by Glass. Sometimes they play separately and sometimes together. On Offering, for example, the melody is from a Shankar raga but it's played by a saxophone and there is not an Indian instrument in sight.

The notes quote Shankar remembering Paris in 1965 when the very young Glass was a student doing transcription work for a film score that Shankar was recording. Ravi recalls: From the very first moment I saw such interest from him-- he was a young man then-- and he started asking me questions about ragas and talas and started writing down the whole score....and seeing how interested he was I told him everything I could in that short time."

And Glass wrote, "It was possible to graduate from a major Western conservatory...without exposure to music from outside the Western tradition. World music was completely unknown in the mid-60's."

Glenn Gould: Partita No. 4 from Bach: Partitas No. 4, 5, and 6 (Sony)

The notes quote a writer from Bach's time exclaiming that any young pianist could easily make a name for himself by playing this new music by Bach. And some did just that, including, more than 200 years later in the 1950's and 60's, Glenn Gould, Canada's greatest musician.